
Bleu no. 1
Abdoulaye Konaté (born 1953, Diré, Mali)
Locations. Gallery 341, Gallery 342, Gallery 343, Gallery 344, Gallery 345
Africa is the cradle within which humans became modern. It was in Africa that our ancestors were equipped with the imagination to create and shape the world we have inherited. From this source some embarked upon a global diaspora to blaze new trails. In the twenty-first century the place with the oldest past has the world’s fastest growing, most youthful population.
Africa’s diverse cultures represent a deep history of 160,000 years of experimentation with ideas, beliefs, and forms of expression. The pace at which these changes unfolded, though comparable to other regions of the world, has been less documented by societies that favored the oral transmission of knowledge. Across this vast continent, communities of nomadic hunter-gatherers have coexisted with those of mighty states. Archaeological investigation, analysis of some three thousand languages, and the study of material vestiges preserved in museums attest to a past as dynamic as the present.
The works in these galleries relate to the myriad cultural landscapes that blossomed south of the Sahara. Among those original sites of creation are storied hubs of global and regional trade, the affluent courts of powerful monarchs, and ephemeral, transient settlements. Artists and their workshops masterfully translated and amplified distinctive worldviews into creations that have endured beyond fleeting everyday experiences or rarefied events animated by dancers and musicians. From the seventeenth century some of those traditions were given new life in the Americas. Even fully isolated from those cultural contexts, these works of daring ingenuity have since the twentieth century been catalysts for innovators, inspired by their originality and arresting visual power, to take new leaps.
1501. Introduction
Angelique Kidjo

Bleu no. 1
Abdoulaye Konaté (born 1953, Diré, Mali)

Kneeling female figure with three children
Tellem or Dogon blacksmith

Male figure
Soninke blacksmith

Equestrian
Dogon blacksmith

Pair of bala players
Dogon blacksmith

Boli (power object)
Bamana Initiate, Komo association

Maani (marionette) of a male figure
Bamana numu (blacksmith)

Kòmò- or kònò-kun (head of Kòmò or Kònò) helmet mask
Bamana or Senufo blacksmith

Face masks
Dan artists

Lidded saltcellar
Temne or Bullom artist(s)

Between Earth and Heaven
El Anatsui (Ghanaian, born Anyako, 1944)

Ȯkyeame poma (royal spokeperson’s staff) with stool, chain, and crossed swords
Asante-Akan artist

Bocio with opposing faces
Fon artist and ritual specialist

Couple for a komien (trance diviner)
Attributed to a "Master from Essankro" (active ca. 1820–ca. 1900, Côte d’Ivoire)

Vessel
Kurumba artist

Ùhúnmwèlaò (head of an ọ́bà)
Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists

Adéńlá (big crown)
Yoruba bead artist

Ìlẹ̀kùn ààfin (Ìsẹ̀ palace door)
Ọlọ́wẹ̀ of Ìsẹ̀ (Nigerian, born Efon-Alaaye, ca. 1873–1938)

Female figure from an obu (house of images)
Igbo artist

Palace pillar with female figures
Grassfields artist

Eyema byeri (reliquary guardian figure)
Okak-Fang artist

Mangaaka power figure
Yombe-Kongo artist and nganga (ritual specialist)

Crucifix
Kongo artist

Women's ceremonial skirts
Kuba artist

Lupona (royal seat)
Ngongo ya Chintu, formerly known as the "Buli Master" (ca. 1810-1870, Kateba region, Democratic Republic of the Congo)

Book of the Gospels
Northern Highlands artist

Lidded prestige vessel
Circle of "Unobadula" (active mid–late 19th century, KwaZulu-Natal, South Africa)

Te saqwit (tent divider)
Beja artists

Lamba mpanjaka marevaka (king’s bright mantle)
Martin Rakotoarimanana (b. 1963, Avironimamo, Madagascar)