View of Toledo

Writing to the sculptor Auguste Rodin after having been astonished by this painting in Paris in 1908, the poet Rainer Maria Rilke described how “splintered light tills the ground, turning it over, tearing into it and bringing up here and there pale green meadows behind the trees standing like insomniacs.” Regarded as El Greco’s greatest landscape, it portrays Toledo, the city where he lived and worked for most of his life. But it is an emotive rather than a documentary vision that not only imaginatively revises the skyline—most notably, the cathedral has been moved—but also distorts the architecture and landscape. The palette and paint handling, meanwhile, tend towards a faceted effect seemingly independent from the forms they create.