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Transkrip

Kapsyon

  • A seated figure carved in dark wood with a stool balanced on its head, beads around the head, neck, and waist, and presented next to the words Arts of Africa with a pink background.

Boli (power object)

#1505

Bamana Initiate, Komo association

Early 20th century

Wood, applied organic materials

Paglalarawan

Described as portable altars, boliw (plural) are understood as microcosms of the universe. Evocative of the dangerous hippopotamus, this form was deliberately opaque and impenetrable to the uninitiated eye. It would have only been handled by those members of the elite, all-male Komo association who had acquired the most rarified knowledge. As manifestations of spiritual and political energy in a physical form, boliw were critical to the maintenance of power in the Segu court (ca. 1712–1861). Such works have been the subject of ongoing iconoclastic campaigns since the nineteenth century. In a destructive act that is still profoundly felt by members of the Segu community, Islamic reformist Al-Hajj ʿUmar Tal destroyed the four great boliw controlled by the kings of Segu when he conquered the city in 1861. 

1505. Boli (power object), Bamana initiate

Daouda Keïta

KARAGDAGANG IMPORMASYON

Mga sukat
H. 14 1/4 × W. 7 1/4 × D. 20 1/2 in. (36.2 × 18.4 × 52.1 cm)
Kredito
The Michael C. Rockefeller Memorial Collection, Bequest of Nelson A. Rockefeller, 1979
Accession Number
1979.206.175

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