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Palapala

Kapeʻe

  • A black human-like head with pronounced jaw, elongated head and white designs that replicate facial paint or tattoo markings presented with the words Arts of Oceania with a blue background.

Kora ulu (canoe prow board)

#1726

Tanimbar Islands artist

Late 19th–early 20th century

Wood

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The sea is animated not only with fish. . .it is also animated with ancestors, with spirits. 

—Wim Manuhutu, historian 

Tanimbar navigators anointed their detachable canoe prow boards with magical ointments prepared from roots and leaves prior to a vessel’s departure to enhance its potency and cause the seas to “boil.” The interlocking single and double spirals, known as kilun etal and kilun ila’a respectively, evoke waves crashing on either side of the vessel. Canoes had characteristics like living beings. Slicing through the water, the dynamic boat was compared to a fearsome sea snake—similar to the sharp-toothed creature perched on this prow’s base, poised to devour its prey. The fierce and swift-moving qualities conveyed in the carving were defining traits, necessary requisites for a successful expedition whose ambition was to secure alliances, engage in trade, or wage war. 

1726. Kora ulu (canoe prow board), Tanimbar Islands artist

Wim Manuhutu

OLELO HOIKE

Anana
H. 58 in. × W. 14 in. × D. 2 3/4 in. (147.3 × 35.6 × 7 cm)
aie
Purchase, Fred and Rita Richman Family Foundation Gift, 2004
Helu Komo
2004.485

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