Pair of bala players
#1532Dogon blacksmith
18th–early 19th century
Wood, metal, applied organic materials
Kev piav qhia
Bala performance is an exceptional activity in Dogon society said to have accompanied the funeral of a hogon (a political and religious leader). Playing the percussive bala is the responsibility of griots, individuals charged with giving voice to oral traditions and poetry, praise-singing, and acting as community spokespersons. In the Sunjata, the celebrated epic devoted to the Mali Empire’s fourteenth-century founding, the instrument features as the wondrous, magical, preciously guarded possession of the blacksmith-sorcerer king of Suso. The Moroccan author Ibn Battuta recounts that during his 1352 CE visit to the court of Malian emperor Suleyman, he witnessed a performance of bala music accompanied by a chorus of one hundred women.
1532. Pair of bala players, Dogon blacksmith
Baaba Maal
Cov ntaub ntawv ntxiv
- Qhov ntev
- H. 15 7/16 x W. 5 3/4 x D. 6 1/2 in. (39.3 x 14.6 x 16.5 cm)
- Qhuas
- The Michael C. Rockefeller Memorial Collection, Bequest of Nelson A. Rockefeller, 1979
- Tus lej nkag
- 1979.206.131
