Skip to main content

Xaiv hom lus

Thaum cov lus qhia tsis muab kev txhais lus hauv koj cov lus, lawv feem ntau txhais los ntawm Google. Txawm li cas los xij, qee cov lus qhia tsuas yog muaj nyob hauv lawv cov lus qub.

Cov ntawv sau tseg

Cov lus piav qhia

  • "Antonius" Violin, Antonio Stradivari (Italian, Cremona 1644–1737 Cremona), Maple, spruce, ebony, Italian (Cremona)

"Antonius" Violin

#9311

Antonio Stradivari

1711

Maple, spruce, ebony

Kev piav qhia

Antonio Stradivari has long been thought to have been an apprentice of Nicolò Amati, but census documents do not list Stradivari as a garzone (shopboy) in the Amati household. Stradivari's early instruments do show the stylistic influence of the Amati, but as Girolamo II and Nicolò were the principal makers in Cremona during Stradivari's formative years, it would be natural for Stradivari to have been influenced by their work. Antonio Stradivari worked with two of his sons, Francesco (1671-1743) and Omobono (1679-1742), and today over 600 instruments survive from this prodigious workshop. Stradivari experimented with the shape and arching of the violin and made instruments according to many dimensions and proportions during his long career. Stradivari employed flatter arching than his predecessors, and this contributed to the production of a more powerful tone. During the period from about 1700 to 1720, Stradivari produced many of his finest violins and this is known as his "Golden Period."

9311. "Antonius" Violin

Cov ntaub ntawv ntxiv

Qhov ntev
Height: 23 in. (58.4 cm); Width: 8 in. (20.3 cm)
Qhuas
Bequest of Annie Bolton Matthews Bryant, 1933
Tus lej nkag
34.86.1a

Software Licenses