Skip to main content

Xaiv hom lus

Thaum cov lus qhia tsis muab kev txhais lus hauv koj cov lus, lawv feem ntau txhais los ntawm Google. Txawm li cas los xij, qee cov lus qhia tsuas yog muaj nyob hauv lawv cov lus qub.

Cov ntawv sau tseg

Cov lus piav qhia

  • A black human-like head with pronounced jaw, elongated head and white designs that replicate facial paint or tattoo markings presented with the words Arts of Oceania with a blue background.

Parrying shields

#1781

Aboriginal artists

19th century

Wood

Kev piav qhia

The complex designs laid into the surface of these finely modeled shields are a visual language that maps the ancestral landscapes on which they were made, and the individual and clan identities of their bearers. This graphic system varied among communities in southeast Australia, with each deploying a distinct name for their shields (such as mulka or drunmung). When fighting in land disputes, warriors used parrying shields to skillfully deflect blows from clubs. Men also carried and performed them during ceremonies to signal their clan affiliation and status.

1781. Parrying shields, Aboriginal artists

Uncle Brendan Kennedy

Cov ntaub ntawv ntxiv

Qhuas
The Michael C. Rockefeller Memorial Collection, Gift of Mr. and Mrs. John J. Klejman, 1965
Tus lej nkag
1978.412.866, .868

Software Licenses