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Tuhinga

Taitara

  • A seated figure carved in dark wood with a stool balanced on its head, beads around the head, neck, and waist, and presented next to the words Arts of Africa with a pink background.

Lamba mpanjaka marevaka (king’s bright mantle)

#1557

Martin Rakotoarimanana (b. 1963, Avironimamo, Madagascar)

1998

Silk

Whakaahuatanga

This elaborately patterned display piece is the product of a 1990s silk-weaving revival that reimagined the color schemes, motifs, and finishing elements of celebrated nineteenth-century lamba akotifahana (supplementary weft mantles). Merina aristocracy historically commissioned such vibrant fashions to wear as status symbols. Silk, both imported and locally harvested, served as the most prestigious medium, highlighting royal control over regional and foreign trade. During French colonization in the late nineteenth century, members of the monarchy were exiled and patronage of this tradition declined. Contemporary weavers often name their creations after the awe-inspiring visual impact of the works’ colors and patterns, which evoke the splendor and opulence of the Merina court.

1557. Lamba mpanjaka marevaka (king’s bright mantle), Martin Rakotoarimanana

Joël Andrianomeariosa and Simon Peers

Additional Information

Ngā Ahu
L. 108 x W. 70 1/8 in. (274.3 x 178.1 cm)
Whiwhinga
Purchase, Rogers Fund and William B. Goldstein Gift, 1999
Tau Whakauru
1999.102

Ngā Raihana Pūmanawa