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ڤيليه بهاس

اڤابيلا ڤندوان تيدق ممبريكن ترجمهن دالم بهاس اندا، اي بياساڽ دترجمهكن اوليه ڬوڬل. نامون، ببراڤ ڤندوان هاڽ ترداڤت دالم بهاس اصل مريك.

ترنسكريڤ

كڤشن

  • A black human-like head with pronounced jaw, elongated head and white designs that replicate facial paint or tattoo markings presented with the words Arts of Oceania with a blue background.

Yam mask

#1783

Abelam artists

20th century

Plant fiber, paint

ڤنراڠن

While woven masks are associated with the Abelam male initiation cycle, the mask with the crest was not created for a human, but rather to adorn the head of a massive yam. These roots were competitively displayed and exchanged in a ceremonial cycle called waapi saaki. The tubers can grow up to twelve feet long and are treated as individuals with agency, their “bodies” decorated in the manner of young men undergoing initiation rites. The intricately woven panel that protrudes from the top of the mask is similar to those worn by initiates. Just as yams are enticed by men to grow out of the fertile soil with the help of secretive magic, charms, and ancestral power, young men emerge out of the korombo (ceremonial house) as full adults, now responsible for maintaining healthy relationships with their ancestors.

1783. Yam mask, Abelam artists

Ludovic Coupaye

معلومت تمبهن

اوكورن
H. 28 in. × W. 12 1/2 in. × D. 10 1/4 in. (71.1 × 31.8 × 26 cm)
كريديت
The Michael C. Rockefeller Memorial Collection, Purchase, Nelson A. Rockefeller Gift, 1965
نومبور اكسس
1978.412.858

ليسين ڤرايسين