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ڤيليه بهاس

اڤابيلا ڤندوان تيدق ممبريكن ترجمهن دالم بهاس اندا، اي بياساڽ دترجمهكن اوليه ڬوڬل. نامون، ببراڤ ڤندوان هاڽ ترداڤت دالم بهاس اصل مريك.

ترنسكريڤ

كڤشن

  • A seated figure carved in dark wood with a stool balanced on its head, beads around the head, neck, and waist, and presented next to the words Arts of Africa with a pink background.

Women's ceremonial skirts

#1548

Kuba artist

Late 19th century

Raffia palm fiber, natural dyes

ڤنراڠن

Epic ncák are worn spiraled around a woman’s lower body. The designs and techniques used to adorn the fabric varied greatly across the Kuba Kingdom. This masterpiece is composed of rectangular elements featuring abstract motifs cut and stitched to the surface of six mbala (unadorned textiles). The composition is enlivened by alternating naturally golden-hued panels with those dyed red or purple. Such intricate apparel would have been worn for only the most important ceremonial occasions. Notable among these were the investiture rites of regional chiefs, boys’ initiations, and the funerals of esteemed elders. In the latter context, the Kuba believe that the deceased must be dressed in woven raffia finery to enter the land of the dead and be identified as Kuba upon arrival.

1548. Women's ceremonial skirts, Kuba artists

Duro Olowu

معلومت تمبهن

اوكورن
H. 26 x W. 167 in. (66 x 424.2 cm)
كريديت
Rogers Fund, 2004
نومبور اكسس
2004.254

ليسين ڤرايسين