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ڤيليه بهاس

اڤابيلا ڤندوان تيدق ممبريكن ترجمهن دالم بهاس اندا، اي بياساڽ دترجمهكن اوليه ڬوڬل. نامون، ببراڤ ڤندوان هاڽ ترداڤت دالم بهاس اصل مريك.

ترنسكريڤ

كڤشن

  • A seated figure carved in dark wood with a stool balanced on its head, beads around the head, neck, and waist, and presented next to the words Arts of Africa with a pink background.

Kneeling female figure with three children

#1530

Tellem or Dogon blacksmith

15th–19th century

Wood, applied organic materials

ڤنراڠن

Upon their arrival in the Bandiagara Escarpment in the fifteenth century, Dogon settlers encountered the complex sculptural traditions of Tellem artists. Inspired by these ancient forms, the Dogon incorporated Tellem artifacts into their altars and drew on these as inspiration for new creations. The distinctive gesture of arms raised to the heavens found on many Tellem and Dogon altar sculptures has been interpreted as a prayer for rain. Through sustained emphasis on that body language, Tellem and Dogon blacksmiths produced a vast corpus of figures that vary in style from highly abstract to more naturalistic. Successive surface applications of offerings—millet porridge or the blood of sacrificial animals—has created a thick patina of organic material. The layering of these libations was likely intended to ensure a successful harvest.

1530. Kneeling female figure with three children, Tellem or Dogon blacksmith

Pierre Thiam

معلومت تمبهن

اوكورن
H. 13 x W. 3 x D. 2 5/8 in. (33 x 7.6 x 6.7 cm)
كريديت
Gift of Lester Wunderman, 1977
نومبور اكسس
1977.394.21

ليسين ڤرايسين